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Satoshi Kon, Keiko Nobumoto
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The most accessible film of director Satoshi Kon's all-too-brief anime career. Where Perfect Blue and Paprika are more adventurous and challenging, they're also difficult to sit back and enjoy in a traditional sense without falling into a deep state of analysis. This one, of three bickering homeless chums who find an infant girl in the garbage, retains the quirks, charms and emotional punch of Kon's other works without challenging quite so many conventions. Sweet, funny and grounded, it's constantly flashing a dry wit and, although it often tugs at the heart strings, things never get overly soft or weepy. The trio of leads are diverse and interesting, each with an onion skin of personal history to explore, and their hunt for the child's parents amidst the overpopulation of a major world metropolis constantly jolts out in surprising new directions. Beautifully written, drawn and animated, it can also be a bit static and randomly fortuitous.

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